Mahmoud Darwish and Joy Harjo: Cosmic Consciousness

The poetry of indigenous peoples, specifically Palestinians and Native Americans, predominantly operates within a sensual or self-consciousness framework, reacting against the brutish consciousness of oppressors who deny their rights to life, liberty, and happiness. However, poets Mahmoud Darwish and Joy Harjo strive to transcend this limited perspective and adopt a broader cosmic consciousness or universal vision. Their peaceful, universal outlook is frequently disrupted by harsh realities and the inhumane actions of their oppressors. Their verses do not entirely abandon the particular or sensual; rather, it remains present but tempered by a universal perspective.

Study at a glance

Abstract

This study examines the phases of human consciousness revealed in the poetry of indigenous people in the light of some prominent psychologists and philosophers mainly Bucke, Schleiermacher, William James, Hegel, and Moores. Bucke and Schleiermacher cited three forms of consciousness: Animal or Brutish Self-awareness, Sensual or Self-Consciousness, and Cosmic Consciousness. While examining the poetry of indigenous people, Palestinians and Native Americans, we find out that the majority moves within the confines of the Sensual or Self-Consciousness in their reaction to the brutish consciousness of the oppressors who deny their unalienable rights for life, liberty, and pursuit of happiness. Unlike others, Mahmoud Darwish, the Palestinian, and Joy Harjo, the Native American, attempt to transcend the sensual consciousness and adopt a broader universal vision or cosmic consciousness; however, their peaceful vision is often shattered by bitter realities and frustrated by the inhuman conduct of their oppressors. In their verses, the particular or the sensual is not completely overlooked or concealed. It is always there, yet alleviated by a universal vision held by the two poets