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Finger, Text, and Moon: Dennis Hirota and Iwasaki Tsuneo

Bermant Gordon

Open Theology October 1, 2018 DOI: 10.1515/opth-2018-0026 via DOAJ

Summary

AI-generated from the abstract

Dennis Hirota, a modern Shin Buddhist master, argues that Shinran Shonin (1173-1263) accepted the Mahayana teaching of nondual awareness as necessary for awakening but held that ordinary people historically could not achieve it through disciplined practice. Shinran taught that the Buddha Amida's perfect wisdom and compassion become available to those who call his Name with joyful sincerity, a difficult teaching of non-practice. To illustrate Hirota's presentation, the paper introduces a painting by Iwasaki Tsuneo, a modern Japanese scientist and artist, which connects an ordinary person's aspiration to ultimate truth through the Heart Sutra, a key nondual awareness text.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Keywords Hirota Iwasaki Shin buddhism Nembutsu Shinjin
Key finding Shinran's unique contribution was insisting that ordinary persons are incapable of achieving nondual awareness through disciplined practice, so awakening comes through calling Amida's Name in joyful sincerity.

Abstract

Dennis Hirota is a modern master of Shin Buddhism who for several decades has explicated the role of natural language in fostering Buddhist awakening. At the core of his oeuvre is the claim that Shin Buddhism’s founder, Shinran Shonin (1173-1263), accepted the earlier Mahayana teaching of nondual awareness as a necessary condition for awakening. Shinran’s unique contribution was to insist that ordinary persons were, as a matter of historical circumstance, incapable of the disciplines required to arrive at non-dual awareness. It was just this circumstance that the historical Buddha foresaw when he taught the Larger Pure Land Sutra, in which the mind of the Buddha Amida, perfect wisdom and compassion, became available to ordinary people who call his Name in joyful sincerity. This is a difficult teaching of “non-practice” that embraces many subtleties. As a heuristic to ease the way into Shinran as Hirota presents him, this paper introduces a painting by the modern Japanese scientist and artist, Iwasaki Tsuneo. This is not a “Shin painting,” but certainly a “Mahayana painting” that connects the aspiration of an ordinary person to ultimate truth through the text of the Heart Sutra, arguably the quintessential Buddhist teaching of non-dual awareness.

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