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De dentro afuera: musicoterapia entre la Cognición 4E y la improvisación conductiva

Ornella Navanzino

Revista de investigación en musicoterapia MiSOSTENiDO June 23, 2026 DOI: 10.9781/misost.2026.841 via OpenAlex

Summary

AI-generated from the abstract

A theoretical analysis integrates the 4E Cognition framework—which views cognition as embodied, embedded, enacted, and extended—with conductive improvisation practices used in music therapy. The authors argue that conductive improvisation, guided by gestural conduction and deep listening, can act as an external regulatory system that supports affective co-regulation, reduces anxiety, and strengthens bodily self-awareness. This approach provides clinical scaffolding that fosters intersubjective attunement and shared agency. The integration allows music therapy to be understood as an embodied, enactive, and distributed process where the relational body is central to emotional regulation and stress management.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Topics Anxiety
Keywords Improvisation Attunement Active listening Consciousness Narrative
Key finding Conductive improvisation may function as an external regulatory system that supports affective co-regulation, anxiety modulation, and the strengthening of bodily self-awareness.

Abstract

Background: Contemporary music therapy is increasingly informed by approaches that conceptualize cognition as embodied, situated, and relational, as well as by collective improvisation practices based on gestural conduction and deep listening. However, there is limited theoretical integration between the 4E Cognition framework and models of conductive improvisation applied to therapeutic contexts. This study addresses this conceptual gap. Methodology: A conceptual and integrative methodology is employed, based on theoretical analysis and a narrative synthesis of interdisciplinary literatura from cognitive science, music therapy, and improvisation studies. Core principles of 4E Cognition are examined, and models of conductive improvisation are compared and integrated through their clinical translation. Results: The analysis suggests that conductive improvisation may function as an external regulatory system that supports affective co-regulation, anxiety modulation, and the strengthening of bodily selfawareness. Gestural conduction and deep listening function as clinical scaffolding that fosters intersubjective attunement and shared agency, as observed in both community-based and professional contexts. Conclusions: Integrating 4E Cognition with conductive improvisation allows music therapy to be conceptualized as an embodied, enactive, and distributed process in which the “relational body” plays a key role in emotional regulation and stress management.

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