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Cooperation and Critique in Neuroscience: Loops of Feedback Between Philosophy, the Psy Sciences and Neurophenomenology

Cornelius Borck

Le foucaldien December 16, 2019 DOI: 10.16995/lefou.57

Summary

AI-generated from the abstract

The rise of neuroscience is often seen as a turn toward biological reductionism in psychology, psychiatry, and philosophy, but since around 2000 the situation has grown more complex. Social and cultural neuroscience suggest a trend toward interdisciplinary cooperation across the nature-culture divide. Examining this transdisciplinary agenda within the longer history of biologicalization in psychiatry and neuroscience reveals a difference between mere rhetoric of bridging and conceptually rigorous work, such as neurophenomenology. Some researchers developed sophisticated experimental settings to mediate between opposing approaches, while others contributed through performative interventions. These diverse lines of work keep the question regarding human nature open.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Key finding The emergence of social and cultural neuroscience indicates a trend toward interdisciplinary cooperation, but differentiating rhetorical bridging from conceptually rigorous studies like neurophenomenology shows that diverse approaches keep the question of human nature open.

Abstract

In the long history of tenuous relations between psychology, psychiatry and philosophy the rise of neuroscience is typically regarded as decisive turn towards biological reductionism. Roughly since the turn of the millennium, however, the story has become more complicated. The emergence of social and cultural neuroscience seemed to indicate a new trend toward interdisciplinary cooperation across the nature-culture divide. Situating the emergence of this transdisciplinary agenda in the longer history of biologicalization in psychiatry and neuroscience, however, allows differentiating a mere rhetoric of bridging between neuroscience and humanities from conceptually more stringent studies such as in neurophenomenology. While some actors developed sophisticated experimental settings here for mediating between opposing approaches, others contributed by performative interventions, as critique comes in different forms and formats. In effect, these different lines of work keep the question regarding human nature open; certainly not the least achievement.

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