Jathilan Horse Dance: Spirit Possession Beliefs and Practices in The Present-Day Java
IKAT: The Indonesian Journal of Southeast Asian Studies January 7, 2020 DOI: 10.22146/ikat.v2i1.37389 via DOAJ
Summary
AI-generated from the abstractJathilan, a traditional Javanese trance dance also known as a horse dance for its woven bamboo horse effigies, remains popular in folk culture, performed for ritual or entertainment. Trance is its main attraction, interpreted locally as spirit possession: spirits enter performers' bodies, allowing feats of invulnerability such as eating glass, walking on hot coals, or being run over by a motorcycle. This paper describes how trance is performed and understood, drawing on literature, practitioners' accounts, and observed performances. It also situates jathilan within broader Javanese beliefs and practices involving spirits, possession, and exorcism that persist alongside Islam.
Study at a glance
| Characteristics | Review and ethnographic description Peer reviewed |
|---|---|
| Citations | 7 |
| Key finding | Trance in jathilan is understood through local beliefs as spirit possession, allowing dancers to perform feats of invulnerability, and the practice persists alongside Islam in Javanese culture. |
Abstract
Jathilan is one of the names for traditional Javanese trance dance which takes its roots in the most archaic levels of local culture but remains very popular nowadays. It is also described as a horse dance for the horse effigies made of woven bamboo are the hallmark props used by the performers. Horse dance is a part of the folk culture, still untouched by institutionalization or commodification; it can be performed for both ritual and entertainment purposes. Trance is its main attraction, though through the lens of local beliefs it is interpreted in terms of spirit possession thus it is understood that spirits can enter performers’ bodies and fulfill their needs while being manifest in material world, but also allow the dancers to perform various feats demonstrating invulnerability to physical harm (like eating glass, walking over hot coals, being whipped or even run over by a motorcycle). The purpose of this paper is to provide a thorough description of how trance in jathilan is performed and understood, based on existing literature, practitioners’ first-hand accounts and numerous performances observed and documented; but also to consider it in the wider context of Javanese beliefs and practices involving spirits, possession, and exorcism, which persist alongside with Islam.