Skip to content

Ecstasy (MDMA): A rebellion coherent with the system.

José Manuel García-montes, Marino Pérez-Álvarez, Miguel Ángel Sánchez-Moya, José Alberto Carmona Torres, David F. Carreno, Salvador Perona Garcelán, Laura del Carmen Sánchez-Sánchez

Nordisk Alkohol Nark November 28, 2020 DOI: 10.1177/1455072520954329 via PubMed Central

Summary

AI-generated from the abstract

The development and mainstream integration of ecstasy over the past 45 years is best explained by a socio-cultural model rather than a purely medical or criminal one. The substance was shaped by successive groups—university students, gays, yuppies, and the New Age movement—each leaving its imprint. Ecstasy's link with techno music produced the socially integrated club scene and the initially countercultural rave movement. Over time, raves and ecstasy became absorbed into mainstream culture, inadvertently reinforcing capitalist postmodernity. The authors argue that a cultural perspective, emphasizing subculture, myths, and rituals, offers a more productive paradigm for drug research than current approaches, and propose blending academic and common knowledge for studying drug use.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Citations 5
Key finding Ecstasy and the rave movement have gradually become integrated into mainstream culture, reinforcing the functioning of capitalist postmodernity.

Abstract

Aim: This study attempts to demonstrate the relevance of the socio-cultural model of drugs in explaining the impressive development of ecstasy in the last 45 years. Method: First the study describes the use of ecstasy by groups which have left their imprint on the substance: university students, gays, yuppies and the "New Age" movement. Then the link between ecstasy and techno music led to the socially integrated "club" phenomenon, and the "rave", which began as a rupturing, nonconformist phenomenon. Findings: According to this argument, in spite of its clearly counterculture beginnings, the "rave" movement and its most characteristic drug, ecstasy, have gradually become integrated into mainstream culture, somehow reinforcing the functioning of capitalist postmodernity. Our study explains ecstasy's history in reference to the cultural contradictions of capitalism and the functions that it currently fulfils for young people. Based on this analysis, the implications of the cultural perspective are discussed as a paradigm of research in drug use, stressing notions of subculture, myths and rituals. It also proposes a harmonious articulation of academic and common knowledge as the most appropriate method for their study. Conclusion: A cultural approach to drug use could assist in unblocking a field so in need of conceptual and empirical revision.

Comments

No comments yet.

Log in to comment