Two Dimensions of a Bodhisattva
International Journal of Transpersonal Studies February 20, 2024 DOI: 10.24972/ijts.2023.42.2.93 via OpenAlex
Summary
AI-generated from the abstractA bodhisattva, the ideal of Mahayana Buddhism, can be understood through two complementary dimensions. One is a "top-down" approach: contemplative practices that unveil a pure, already-present nature by removing obscurations. The other is a "bottom-up" approach: directed training and discipline that breaks the cycle of suffering by turning the mind away from habitual, destructive patterns toward spontaneous and skillful responses. The paper argues these orientations are not opposed but complementary aspects of a bodhisattva's practice.
Study at a glance
| Characteristics | Theoretical or philosophical paper Peer reviewed |
|---|---|
| Topics | Buddhism |
| Keywords | Bodhisattva Art Mathematics Theology |
| Citations | 1 |
| Key finding | A bodhisattva's practice involves both a top-down contemplative unveiling of innate pure nature and a bottom-up disciplined training to break cycles of suffering, which are complementary rather than contradictory. |
Abstract
This paper presents two dimensions of a bodhisattva, the ideal of Maha- ya- na Buddhism. One dimension involves contemplative practices that disclose a pure nature that is always already present; this reality is unveiled after the obscurations that cloud it are removed. I refer to this as a “top-down” approach because it is based on qualities of awakening that are already there, yet lie beyond an ordinary being’s comprehension. The second dimension, which I refer to as a “bottom-up” approach, involves directed training and discipline. Unlike the top-down approach, this is not about “going with the flow” or simply letting the innate qualities of mind express themselves. In contrast, the bottom-up approach is better described as “breaking the cycle” of suffering. That is to say, this orientation toward a bodhisattva’s practice involves restraint and discipline to train the mind by turning it away from habitual, destructive patterns to shape it into spontaneous and skillful responses and expressions. This paper will discuss both of these orientations and will show how they are complementary aspects of a bodhisattva’s practice.