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MIRABAI AND TULSIDAS MYSTICAL VOICES OF THE BHAKTI MOVEMENT

Jay Vasani, Savita Deogirkar

ShodhKosh Journal of Visual and Performing Arts December 19, 2025 DOI: 10.29121/shodhkosh.v6.i2.2025.6685 via OpenAlex

Summary

AI-generated from the abstract

Mirabai and Tulsidas, two major poets of the Indian Bhakti movement, express devotion and union with the divine in contrasting ways. Mirabai's poetry is emotional and fearless, addressing Krishna as a lover and rejecting social rules to express spiritual freedom through dance, song, and submission. Tulsidas writes with humility, turning to Rama with faith through service, discipline, and remembrance, finding grace in prayer and repentance. Both use simple language and rich symbols to convey mystical experience as lived, not merely believed. Their work shows that Bhakti spirituality encompasses not only silence and solitude but also music, longing, protest, and poetry.

Study at a glance

Characteristics Theoretical or philosophical paper Peer reviewed
Topics Mysticism
Keywords Poetry Reading process Silence Movement music
Key finding Mirabai and Tulsidas represent two poles of Bhakti mysticism—one through ecstatic, rebellious devotion and the other through humble, disciplined service—revealing that mysticism can be expressed through music, longing, protest, and poetry.

Abstract

This paper explores the mystical themes in the poetry of Mirabai and Tulsidas, two of the most powerful voices of the Indian Bhakti movement. It studies how each poet expresses devotion, longing, and union with the divine in their own way. Mirabai’s poetry is emotional and fearless. She speaks of Krishna as a lover, a friend, and the only one who matters (One who is infinite: a cosmic energy). Her poetry often rejects social rules and express spiritual freedom. Tulsidas, on the other hand, writes with humility. He turns to Rama (a supreme manifestation of Cosmic Energy) with deep faith, following the path of service, discipline, and remembrance. The paper offers a close reading of their mystical ideas using selected poems. It shows how Mirabai’s devotion is yoked by dance, song, and submission, while Tulsidas finds grace through prayer, repentance, and service. Both poets use simple language and rich symbols to describe what cannot be fully explained. Their poetry is not just about belief—it is a lived experience of the divine. By comparing their voices, this study reveals the wide range of Bhakti spirituality. It shows that mysticism is not limited to silence or solitude. It can also be found in music, longing, protest, and poetry.

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