The Effects of LSD-25 on Creativity and Tolerance to Regression
Archives of General Psychiatry June 1, 1967 DOI: 10.1001/archpsyc.1967.01730240096014 via OpenAlex
Summary
AI-generated from the abstractInterest in creativity has grown among behavioral scientists, reflecting a long-standing popular fascination. Many authors have offered advice on acquiring creativity, debated whether neurosis is necessary for its use, and developed methods to assess creative potential. Dynamic psychiatry has been central to studying the creative personality, with early psychoanalytic writers emphasizing instinctual drives and neurotic conflicts as motivations for creative sublimation. By examining the lives of historical geniuses, researchers have shown how basic needs and fantasies become embedded in the content and structure of their work.
Study at a glance
| Characteristics | Review Peer reviewed |
|---|---|
| Keywords | Creativity Regression analysis Clinical psychology Statistics |
| Citations | 56 |
| Key finding | Early psychoanalytic research suggests that instinctual demands and neurotic conflicts provide motivation for creative sublimation, and that basic needs and fantasies are interwoven into the work of geniuses. |
Abstract
IN RECENT years, the interest shown by behavioral scientists in creativity has reflected what has for a long time been a popular preoccupation. 1-6 Willing authors have come forward, informing us how to acquire it, whether we must be neurotic to use it, and how to discover if we have that divine fire. Attempts have been made to define the process involved, enumerate the steps essential to its functioning, and devise methods of testing an individual's creative potentiality. Dynamic psychiatry has played a major role in the investigation of creative personality. Early psychoanalytic writers stressed the role of instinctual demands and neurotic conflicts in providing the motivation for creative sublimation. Having searched the lives of geniuses throughout history, investigators presented evidence to demonstrate how certain basic needs and fantasies had become interwoven in the content and structure of their work. 7-10